[Synapse elist] Artificial Creativity & Machines
Leonel Moura
leonel.moura at mail.telepac.pt
Thu Apr 3 22:52:20 CST 2008
Of course that debating "Artificial Creativity" can generate in a
never-ending discussion about the concepts of artificial and in
particular of creativity. And here the question for me is not so much
to know if "artificial creativity" fits our current concept of
creativity but if we are willing to expand that concept in order to
accept animal and machine creativity? As we did already with intelligence.
For example, considering Deleuze & Guattari's "unsettling of the
established order" as inherent to creativity, we can ask if a
rule-based systems, or algorithmic, is able to break rules? We must
accept it as a possibility, because emergent processes can produce
global outcomes which were not previously planned in the code. Some
algorithms may generate an Aristotelian Eureka! For Herbert Simon
(1997) "chaos derives from deterministic dynamic systems that, if
their initial conditions are disturbed may alter their paths
radically. Although they are deterministic, their detailed behavior
over time is unpredictable, for small perturbations cause large
changes in path."
On the other hand we can say, with Debord, that creativity is not
just the capacity of arranging objects and forms, but the invention
of new rules on that arrangement. In this sense we can imagine an art
process that creates art by itself. "An idea becomes a machine that
makes the art" (Le Witt, 1967). That is the understanding underlying
my robot art and in this sense the will to take the "human out of the loop".
Finally I would make a distinction between the practical aspects of
robotics, applied to art or other things, and the philosophical
issues that emerge from it. Robots will probably evolve to be hybrid
bio-machines but for the moment they are still essentially
non-biological bodies. That does not mean to deny the symbiotic
relation human-robots and to not recognize that bioprocesses are at
work in most of these machines.
Leonel
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